Get the same quality editing as Hunter S. Thompson in Hell’s Angels.
Hunter often said was the best editor he ever worked with and they were close friends—William McKeen, author of Outlaw Journalist
This very day, July 2023, I received the following lovely testimonial:
Margaret is worth her weight in gold. She had tons of great feedback for me, she challenged me where appropriate, and she really dug in, adding value beyond what I would have expected it. She communicated promptly and well, and I really felt like she was a thought partner for me. If I could sum it up – I felt that she felt a sense of ownership over the work. That’s the type of person you want in your corner. The book was elevated for her involvement and I’m forever grateful to her for that.
Paul Karvanis, The Happy Lawyer: The Blueprint to Avoid Burnout and Put Together Your Good Life Personally and Professionally
Peacocks at Owl Farm
WATCH YOUR BOOK COME INTO SHAPE
I love to see a book come into shape–an idea emerge out of a paragraph where it wasn’t there before: where the paragraph was pretty drab. And suddenly it has a lot to say.
This is just a quick note to THANK YOU again for everything you’ve done to help me with my book! I’m more excited than I can possibly express – and grateful – for the book hitting #1 Bestseller in 2 categories yesterday, in both ebook and paperback formats: #1 in String Instruments (ebook), #1 in Musical Philosophy and Social Aspects (paperback). It also hit #2 in two more categories, and #4 in the other two. So, it was in the top 5 for ALL SIX categories – WOW!!! Thank you again for helping to make this possible.
Whether you have barely started your book and need developmental editing or are a polished writer and need “final edits,” I can help. And whether you barely need your words touched at all or need a lot of “line editing,” we can work together. For instance, a painter writing on art history under contract with Random House, confided to me, “I don’t understand words.” (He was visual.) But I noticed that if I asked what he meant – by a dense, confusing sentence – a fascinating buried idea that sat on the page without communicating revealed itself. In the Acknowledgments, he thanked me for “a prodigy of rewriting almost beyond belief.” However, it remained his book, his ideas, even his Voice.
This is an extreme case. For the most part, I simply “EDIT.”
Whenever I tackle a manuscript, I never lose sight of that – most important – fact that there’s a Voice waiting to be supported: to stand out. If it’s not your voice that speaks, the reader will most likely lose interest.
One of the most satisfying reasons to write is to wrestle with material, sweat out the blank moments, and eventually, proudly give an audience a book. I can help you do that.
I particularly love this gratifying testimonial I just received, unsolicited:
That manuscript was turned into a readable book by my editor, Margaret Harrell, who helped me do more showing and less telling. She is the warm fuzziness to my cold scientific creepiness and is more than just an editor; she has become a writing mentor. – Amy Rosner, PhD, author of Reconstructing Reality (soon to be released)
Below is a list of various levels of editing you can choose from:
- telephone/Zoom consultation
- manuscript evaluation
- developmental editing—if your book is not yet finished
- basic content editing (most popular) – includes line editing and as a bonus, copy editing
Once you contact me, for free I’ll give you pointers on how to proceed and do a sample edit – complimentary (free).
Developmental editing is recommended when your content needs developing. Say, you have not developing the chapters.
Basic Content editing includes line editing, content scrutiny, etc., after you have a basic manuscript finished and it needs an editor’s eye got tightening, etc.
Copyediting (part of the editing levels above, no extra charge) comes after your manuscript is finished. This is where I look at grammar, punctuation, inconsistencies, light line editing.
Below, an example illustrates how cutting dead words brings a scene alive:
I told Hunter this, which drew forth his response: “Margaret, you talk the craziest of anyone I know.” A pause. “I feel like I’m talking to a naked child.” But he didn’t say it dismissively.
The prices for basic content editing (two complete rounds) is .03/word. I have not raised it for several years (even with inflation). If you need three or four rounds of editing, the price is .04/word. And if you need extensive developmental editing, coming to me with a book only partially written, the price varies on an individual basis. If you prefer for small jobs, you can request my $55 hourly rate. Each fee is customized on the basis of manuscript length and readiness for publication.
POST EDITING OPTION: After the editing is done, what happens next? What type of publication are you aiming for: traditional or self-publishing? I’ll offer you some free tips on indie publishing if that’s your route. If you want to search for an agent, I can give you some tips or I can edit your Query Letter and Proposal.
Since updating this page a year ago, I’ve edited dozens of books for Self-Publishing School and received dozens of tiptop reviews. Most are not below. But to give a few examples:
I wanted to celebrate you today 👏💝🙏🏻. 12 months ago today I received back from you the first edited copy of my manuscript. WOW! I am so grateful to you –making my words dance on the pages of my book.
Since publishing last August Above the Turbulence has gone to over 8 countries, has entered the prison cells across America and is truly touching the lives of many for good. That was my prayer. How wonderful. God heard and is faithful. Thank you so much for walking that journey with me.
Man Cave of Health: A Why-To Book About Men’s Health: Through The Eyes of a Health Coach Who’s Heard It All, author, LaRue Palmer, writes:
Great work all around. You have transformed me into a better writer, and for the first time, an AUTHOR! Thank you for giving me my start. I am forever in your debt.
Some Nonfiction and Fiction Project
Published to sensational reviews:
Freak Kingdom— Hachette Book Group
In this perceptive, dramatic book, Tim Denevi recounts the moment when Thompson found his calling. As the Kennedy assassination and the turmoil of the 60s paved the way for Richard Nixon, Thompson greeted him with two very powerful emotions: fear and loathing. In his fevered effort to take down what he saw as a rising dictator, Thompson made a kind of Faustian bargain, taking the drugs he needed to meet newspaper deadlines and pushing himself beyond his natural limits. For ten years, he cast aside his old ambitions, troubled his family, and likely hastened his own decline, along the way producing some of the best political writing in our history.
This remarkable biography reclaims Hunter Thompson for the enigmatic true believer he was: not a punchline or a cartoon character, but a fierce, colorful opponent of fascism in a country that suddenly seemed all too willing to accept it.
Published to sensational reviews:
About his experience with Margaret on this book:
Margaret Harrell is a world-class editor whose attention to every aspect of my writing—from prose to context to character development to factual accuracy and thematic movement—was invaluable in the composition and completion of my most recent book, a biography on Hunter S. Thompson. Whether you’re working on nonfiction or a novel, she brings to your project a wealth of generosity and talent and insight that’s unparalleled. —Tim Denevi, Associate Professor, MFA, George Mason University
Read Salon‘s excerpt on the 1968 Democratic National Convention in Chicago from Freak Kingdom
I’ve just finished editing my book with Margaret Harrell. She has been absolutely amazing. She has turned my waffle into short sharp punchy sentences that gets the message across clearer than I could have ever imagined AND reduced my word count by about 8,000 words. After one zoom call, she understood what I was wanting to achieve, gave me constructive feedback and allowed me the space to re-create areas of my book that weren’t working. I’m so happy with my end result. Margaret’s expertise and experience are clearly extensive and I’m so glad she was able to work on my book. Margaret . . . thank you, thank you, thank you!!!!
Nikki Lane
I am also glad to help you navigate through the publication process.
I love helping you improve your craft.
Testimonials, Reviews, Awards
Nonfiction Developmental Editing
Testimonial:# 1
My professional and loving editor, Margaret Harrell, was always there when I needed her. She made the solo job of a writer become a partnership.
—Jonette Crowley
Author of Soul Body Fusion: The Missing Piece for Healing and Beyond. Translated into Dutch, German, Romanian, Norwegian, Estonian, Polish, Danish, Swedish, and counting
Review
I was mesmerized and transformed with Ms. Crowley’s energy that permeated the pages . . .
Inspiration
It is not only what you produce in your life, but how your greater life produces a greater YOU . . . that in turn produces a greater world, – “MARK” as Channeled by Jonette
Developmental editing–an Early Nonfiction Classic
The End of Obscenity: The Trials of Lady Chatterley, Tropic of Cancer, and Fanny Hill by the Lawyer Who Defended Them is dear to my heart. Random House considered it an important book, and to edit it, I was “loaned out”—assigned to go to the law offices of the high-profile author, Charles (Cy) Rembar, every day for roughly a couple of months. There, I sat at a big table with Rembar, and morning to night (ordering in lunch and taking an evening break for dinner at a nearby Sixth Avenue restaurant), we organized his pile of chapters, which began as stand-alone texts, into a flowing book. It’s also because of Rembar, in part, that I wound up having a private conversation with his first cousin Norman Mailer in a Greenwich Village loft and pondered the prospect of editing Mailer’s introduction. Read my blog on “The Time I Almost Edited Norman Mailer.”
Acknowledgments: Charles (CY) Rembar
To: Margaret Ann Harrell, a gifted book-tuner—a lass with a delicate ear
Review:
Rembar’s book deals not with the why of obscenity laws but with the how, and as a result often has a freshness that little recent writing on this subject can match. Rembar’s is still the best book on that kind of censorship.
